Why? Simply because all 7 notes appeared in it (with or without alterations – sharp/flats). Usually the minor scale of C is written in the second way and not the first. Note that the scale is absolutely the same the only difference is that before it was written with sharps (#), and now it was written with the flats (b). We could then rewrite the above sequence as: do, re, mib, fa, sol, lab, tib, do. The notes re#, sol# and la# are equivalent, respectively, to mib, lab and tib. It goes like this: do, re, re#, fa, sol, sol#, la#, do … repeating the cycle. Just follow this sequence starting with the C note. You are already able to build that scale. The one called “ minor scale“, for example, is formed from the following sequence: tone, semitone, tone, tone, semitone, tone, tone… repeating the cycle. We will show you the major scale of the 7 basic notes:įor other scales, we have other sequences to be followed (other intervals). Do this as an exercise and then check it out below. In the second case, the major scale of G.įollowing the same logic, we can build the major scale of all the 12 notes we know. In the first case, we form the major scale of C. Notice how the same logic was followed (tone, tone, semitone, tone, tone, tone, semitone). The scale would then be: sol, la, ti, do, re, mi, fa#, sol… We could use this same sequence (major scale) starting from a note that was not C, but for example: G. This sequence of distances was: tone, tone, semitone, tone, tone, tone, semitone… repeating the cycle. On this scale, we start with the do note and follow a well-defined sequence of intervals until the return to the do note again.
For example: do, re, mi, fa, sol, la, ti, do… repeating this cycle. Learning your 12 Major Scales opens up so many possibilities, and they are incredibly important to learn.A scale is an ordered sequence of notes. Either instruments can play either version of the chart, but trombone players generally prefer to play in a higher tessitura than bass players, and so some of the octaves are different between the two versions. There are two versions of the bass clef version, one geared toward trombone players and one geared toward bass players. Similarly, F# and Gb share the same scale enharmonically, as so do B and Cb. C# and Db share the same major scale with a different key signature. Three of the keys can also be written with their enharmonic equivalents, and so there are 12 Major Scales by sound, but 15 Major Scales by sight, when you write them out. Here are PDFs for the 12 Major Scales in treble clef and bass clef. The 12 Major Scales are one the very basic fundamentals of music, and it’s incredibly important. Learning the 12 Major Scales in one of the most important things fledgling jazz musicians (or any musician) can do.
0 kommentar(er)
